白日梦 225X155cm 1999 岩彩
20年来,我的作品形式有过几次转变,都是随着思想的改变自然而然产生的,是思想演变历程的真实轨迹。表面看创作手法的跨度很大,其实每一步都是很必然的转变,既不是预先设计,也不是刻意追求,是由岩彩这个基点出发,在一个不断体验、不断延展的创作过程中,完成的艺术语言方式的转换。我的生活与创作理念是:不以物喜,不以己悲,顺其自然,自由自在。
读之一 145X155cm 1997 岩彩
今天,我希望自己的作品大一些,所谓“大”并不光是画幅大,而是指大自然,是指天道,人太渺小了,所以少加人的见解,天道大于人道。我希望作品只是客观地呈现出一种自然的状态,不存在过于明确的主题和内容,希望自己创作时,希望观赏者欣赏时,都有进入自然空间内部的感觉,能够直接地看到自然本身。
几之二 60X50cm 1998 岩彩
觉悟到自己的生命性质即一粒微尘之后,我的精神豁然开朗!你不过是一粒微尘,要有一颗平常之心,要珍惜生命里程中的每时每刻,此情此景;要认真完成生命的一个轮回过程。认识生命的卑微性质的同时也认识到生命的积极意义—组成宇宙万物的基本粒子,尽管很细微,但每一粒都是实在的,都蕴涵着天道,每一个人都有自己的存在价值。
漂浮之一 82X124cm 2005 岩彩、综合材料
The word "Mote" is derived from Buddhism and indicates that all the substance in the universe are constituted by fundamental particles, nowhere and everywhere. Rock color is made by particles of rocks, so that in the vast cosmos, these particles of rocks are the motes of the earth, and the earth is a mote of the cosmos. Could we say human beings are part of this phenomenon? I use rock particles within my philosophy to examine the world
寻梦 112X145cm 1998 岩彩
In the past 20 years, my works had several changes in form, and each evolution occured naturally following my mental transformation. Apparently, the transformation of my creations seems intense. However, each step is in fact a natural transition, neither pre-designed nor a deliberate pursuit, it is all based on the spiritual conversation with rock color, and my attempt to complete the evolution of my visual language, which is constantly expanding during my creation. Both my life and art are accepted by how it is, not pleased by external gains, not saddened by personal losses, just let nature take its course and be free.
野 24X33cm 2008 岩彩、纤维
Nowadays, I want to make my work ¡°larger¡±. In this case ¡°larger¡± refers to my broadened exploration and the natural law beyond the size of my work. Human beings are small compared to nature on a grand scale, and as such. We should sometimes drop our self-consciousness and be aware that these natural laws are greater than humanity. I want my art to present a natural state objectively, without a clear theme or content. During my creation process or when audience meet my works, I hope we can all feel that we have access to the inner space of nature, and that we have the ability to visualize the nature itself.
夜曲 117X91cm 1996 岩彩
After I became conscious about my life as a piece of ¡°mote¡±, all the sudden, my spirit became open and clear. We are all pieces of the mote. We should embrace this truth and cherish every moment in life as we earnestly fulfill our role in a life-cycle process. My belief represented through my work is to understand the humbleness of life while recognizing the positive side that the fundamental particles composing the universe, however small, have meaningful existence within this grand process of natural laws.
星展装置现场:
都市幻影——
都市幻影 2011 岩彩、综合材料
都市幻影局部1 2011 岩彩、综合材料
都市幻影局部2 2011 岩彩、综合材料
都市幻影局部3 2011 岩彩、综合材料
都市幻影局部4 2011 岩彩、综合材料
都市幻影局部5 2011 岩彩、综合材料
都市幻影局部6 2011 岩彩、综合材料
都市幻影局部7 2011 岩彩、综合材料
都市幻影局部8 2011 岩彩、综合材料‘
都市幻影局部9 2011 岩彩、综合材料
往事如流 2007 岩彩、综合材料
往事如流展场 废弃的日本小学楼道
星系列——
星 2011 30x30cmx33岩彩、综合材料
星展现场 2011 30x30cmx33 岩彩、综合材料
星之八 2011 30x30cmx33岩彩、综合材料
星之二 2011 30x30cmx33岩彩、综合材料
星之九 2011 30x30cmx33岩彩、综合材料
星之九 2011 30x30cmx33岩彩、综合材料
星之六 2011 30x30cmx33岩彩、综合材料
星之七 2011 30x30cmx33岩彩、综合材料
星之三 2011 30x30cmx33岩彩、综合材料
星之十 2011 30x30cmx33岩彩、综合材料
星之四 2011 30x30cmx33岩彩、综合材料
星之五 2011 30x30cmx33岩彩、综合材料
星之一 2011 30x30cmx33岩彩、综合材料
胡明哲老师在研修班授课情景:
胡明哲老师百忙之中抽空给我们上课,大爱!瞧,临时的教学助理朱雁娴老师多认真啊
胡老师在给学员讲解专题作业。